
Every interior design project starts with the same gap. The client has a room and a feeling about what they want. The designer has a direction in mind. Until there is a picture, the two are describing different things with the same words. RH has built one of the largest interior design operations in home furnishings on top of its galleries, and teams there use MeltFlex AIto close that gap early: a design direction shown in the client’s own room photo, in seconds, before the detailed work begins.
This piece looks at where AI fits an interior design service, using RH as the example. The company facts come from RH’s filings and shareholder letters. RH does not publish its internal design process, and we do not publish customers’ internal data, so there are no invented results here.
At a glance
RH, known for most of its history as Restoration Hardware, is headquartered in Corte Madera, California, and led by chairman and CEO Gary Friedman. In fiscal 2025, which ended on 31 January 2026, it reported revenue of $3.44 billion, up 8.1 percent. At year end it operated 45 Design Galleries, 39 in North America and 6 in Europe, plus Waterworks showrooms, outlets and restaurants in 25 of its galleries.
Its international push is recent and large. RH opened on the Champs-Élysées in Paris in September 2025, on Corso Venezia in Milan in April 2026, and in London in June 2026. In its latest shareholder letter RH says it is building the world’s largest residential interior design firm, and its members program includes interior design services. A design service at that scale depends on how quickly a designer can get from a client’s room to a direction the client agrees with.
A designer can draw a plan and specify furniture quickly. What takes time is the back and forth before that: showing references, interpreting reactions, adjusting. Mood boards help, but they show other people’s rooms. The client still has to imagine the look in their own space, with their own windows, their own ceiling height and their own light.
Detailed 3D renderings solve that, but they come later in a project because they take real time to make. Using them to test an early idea is expensive. What is missing at the start is a quick, believable picture of the idea in the actual room.
To be clear, this is where MeltFlex fits a design service like RH’s, not a description of RH’s internal process, which is its own to share.
A MeltFlex image is a concept, not a specification. It does not produce measured drawings, elevations or a product list, and without a connected catalogue it renders furniture in a style rather than exact products. The designer still does the design. What changes is that the first conversation happens in front of a picture of the client’s own room.
The same approach works for any retailer with a design service, or any interior studio. Brands that want their own products rendered into customers’ rooms can connect their catalogue, the way Kondela did, through a branded embed or the MeltFlex API; both are covered on MeltFlex for business. Or simply try it free on a client’s room.
A luxury home furnishings company based in Corte Madera, California, with $3.44 billion of fiscal 2025 revenue and 45 Design Galleries in North America and Europe.
No. It shows an early direction in the client’s real room. Detailed plans and renderings are still the designer’s work.
Yes, when the catalogue is connected, as on Kondela’s store.
One phone photo of the room.